“Corpse Fishing” – A Cinematic Triumph in Storytelling and Artistry – Shines at Global Film Festivals

LOS ANGELES, May 29, 2025 /PRNewswire/ — Corpse Fishing, an evocative short film that delves into the profound themes of life, death, and human connection, has emerged as a standout entry in the film festival circuit. Directed and written by the acclaimed Jean Liu (UK/China), the film has been officially selected for prestigious festivals, including the prestigious Oscar, HollyShorts Film Festival, Tribeca Film Festival, and more, solidifying its place as a compelling work of cinematic art.

A Story of Marginalized Voices

Set against the backdrop of a fading Chinese riverside community, Corpse Fishing follows the unlikely bond between Yan (Harmonie He), a spirited young girl, and Bo (Jizhong Zhang), a weathered old man. Together, they navigate societal neglect while grappling with existential questions, their journey rendered with raw emotion and poetic visuals. The film’s narrative depth and cultural authenticity have resonated with audiences worldwide, earning accolades such as Best Cinematography at the 2024 HollyShorts Film Festival and a celebrated run at the TCL Chinese Theatre in Los Angeles during the festival’s 20th-anniversary season.

Art Direction That Transcends Borders

Central to the film’s immersive world is the visionary work of Art Director Weizi “Trasy” Huang, whose meticulous craftsmanship brings the story’s emotional core to life. Tasked with recreating a distinctly Chinese aesthetic in a foreign production environment, Huang and her team overcame significant challenges—most notably constructing a traditional fishing boat from scratch. Through dismantling, rebuilding, and painstaking detailing, they achieved a set piece so authentic that “many believed it was imported directly from China.”

Huang’s contributions extend beyond props; her use of color, texture, and spatial composition reflects the characters’ inner struggles, reinforcing Corse Fishing’s theme of resilience amid adversity. “Every object tells a story,” she explains. “Our goal was to make the audience feel the weight of Yan and Bo’s world—their loneliness, their hopes, and the beauty they find in the mundane.”

A Personal Triumph for the Filmmakers

For Huang, Corpse Fishing marks a milestone in her journey as a Chinese female filmmaker in Hollywood. Relocating from Boston to Los Angeles after graduation, she built her career from the ground up, navigating industry barriers as a minority artist. “This film is proof that perseverance and passion can break boundaries,” she shares. “It’s not just about my growth—it’s about amplifying stories that challenge perceptions and foster empathy.”

Director Jean Liu echoes this sentiment: “Trasy’s artistry was instrumental in realizing the film’s soul. Her ability to translate cultural nuances into visual language is extraordinary.”

Festival Success and Future Prospects

With its HollyShorts victory and Oscar qualification, Corpse Fishing continues to gain momentum on the global stage. Critics praise its “hauntingly beautiful visuals” and “universal yet intimate storytelling,” positioning it as a strong contender for upcoming awards seasons.

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SOURCE Jean Liu